© Joan Marcus, press photo of the Théâtre du Rond-Point Denis O’Hare, in choosing to stage the Iliad – or rather “an Iliad” – as a one-man-act has in fact chosen to encapsulate the multitude in the unique, the myth in the body and the timelessness in the voice. And the spectators cannot help but ask themselves these simple but essential questions: why? and how? (more…)